Montepulciano, Cantiere Internazionale d'Arte debuts in streets and squares
SOURCE www.sienafree.it
Saturday, July 18 comes on the 34th Montepulciano headed by Detlev Glanert
19.00, the parade starts from the Fortress of popular music with the bands of the territory
21.30 in Piazza Grande Symphony Orchestra concert from Manchester:
program in the most famous music by Verdi, Tchaikovsky and Henze
Inauguration in grand style Saturday, July 18th to the 34th International Art Workshop - led by Detlev Glanert this year - which kicks off its 15 days of concerts and shows with a parade of popular music that will involve the public through the streets suggestive of Montepulciano with bands of Chianciano, Montepulciano, San Quirico and Sarteano.
Check the Medici Fortress at 19:00 to arrive in Piazza Grande, where at 21.30 Nothern the Orchestra of the Royal College of Music in Manchester - this year's resident orchestra - will perform the traditional Opening Concert.
podium Roland Böer, Music Director of the shipyard since 2009 and next year at La Scala Milan for The Magic Flute by Mozart. A program that ranges from dance music of Act III of Macbeth by Giuseppe Verdi to the Four interludes from The Lord Young of Hans Werner Henze, a tribute to the founder of Yard Art which saw its first edition in 1976. In the second part still green with the Sinfonia from Luisa Miller and the grand finale to the Symphony No. 4 op. 36 by Tchaikovsky.
I choreographed dance are a big distraction at the beginning of the third act of Macbeth by Verdi composed to highlight the talents of the famous Paris Opera ballet school this "divertissment" shows how the Italian musician loved the ballet only as a theatrical genre, but especially from the point musically.
Social commitment and sensitivity existential rather have once again cast by Henze in the Four Interludes where it is expressed profound solidarity with exclusion and where the "different" with his apparent madness, only underlines the inconvenience of a Real estate companies and stifling. The action is made through a balance of irony and satire, even ruthless, with a small instrumental ensemble from the early nineteenth century with the addition of the essential variety of percussion.
With Symphony Verdi's Luisa Miller returns oestrus but here, in an unusual way: Green definitely exceeds the bright color and loud tradition Rossini to approach a more northern European type of instrumentation.
In conclusion, the Symphony No. 4 op. 36 Tchaikovsky the composer himself described as "the best symphony I've written so far: my beloved symphony."
Box Office: Adults € 20, reduced € 10 for residents, under 16 free
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