is online at the Teatro Regio in Turin a petition for the Protection of all Italian theaters . to sign and spread as much as possible!
http://www.teatroregio.torino.it/it/petizione
Wednesday, November 12, 2008
Bulma Vegeta Episodes
online petition!
is online at the Teatro Regio in Turin a petition for the Protection of all Italian theaters . to sign and spread as much as possible!
http://www.teatroregio.torino.it/it/petizione
is online at the Teatro Regio in Turin a petition for the Protection of all Italian theaters . to sign and spread as much as possible!
http://www.teatroregio.torino.it/it/petizione
Catholic Church Recognize Orthodox Wedding
TURIN THE THEATRE ROYAL OPEN FOR PROTEST IS
here's the official announcement of the new initiative:
here's the official announcement of the new initiative:
TURIN THE THEATRE ROYAL OPEN FOR PROTEST
Thursday, November 13 from 10am at 22:30
Workers of the Teatro Regio of Turin decided to open the doors of the theater to receive citizenship in a day of testing, a day in the protest against the cuts announced by the government will be transformed into an extraordinary day in which everyone to discover closely how the daily work at the Royal, including orchestra rehearsals and choir practice, mounting exhibitions and guided tours, tests and auditions music scene, activities for schools and technical preparations.
highlight of the concert event at 21 led by Maestro Gianandrea Noseda, who agreed to be close to workers in this very sensitive time, during which excerpts will be performed by Giuseppe Verdi, enduring symbol of freedom and ingenuity.
The idea of \u200b\u200b"Theatre opened in protest" was created by the representations of the Joint Union Regio di Torino (with the support of local unions) and immediately got the full availability of workers in relation to a whole new way to engage and participate to make the whole city is running the serious risk that culture. The music, in particular, is considered an asset by the government unnecessary and not a necessary ingredient to the quality of life, forgetting, for convenience, because the work is a cornerstone of Italian culture as well as a production value of prestige. If the Italian is not a dead language outside the national borders is because in all theaters of the world remains the indispensable and primary language, if the Italian musical institutions are acclaimed in the international tour is because our artistic figure remains a landmark recognized by all, while those who should defend and promote the Made in Italy seems to despise him down to a whim of a few. Please
Thursday, November 13 at the Teatro Regio in Turin to meet and talk directly to share experiences and opinions, because the death of opera not only mean fewer jobs in a city increasingly marked by the closures, but does mean the cancellation of a collective good and that, therefore, both our own and yours.
The lineup of the day:
1. from 10 am to 13.30 pm in Orchestra Rehearsal Room Directed by Maestro Noseda
2. from 15 to 18 hours in choir practice room Directed by Maestro Gabbiani and Maestro Noseda
3. 19 at 20.30 pm Groups chamber of the Teatro Regio welcome visitors by listening to some music
4. 21 hours Concert Orchestra and Chorus of the Teatro Regio conducted by Gianandrea Noseda
Friday, October 31, 2008
Rent To Own Tires In Phoenix
RICOMINCIAAAAA
from an e-mail catherine :
from an e-mail catherine :
11/30/2008http://www.flickr.com/photos/56017673 @ N00/sets/72157608527680214 /
What a day!
sing in the midst of thousands of people, children crouched between the rows of violins, all shouting BRA-BRA-VI VI at each end track, pull out the banners of three years ago and seeing colleagues then looked at us with suspicion (understatement) even climb the ledge to attack them and fix them, and above all THANK YOU THANK YOU THANK YOU hear screaming from the city, have the choir director Roberto Gabbiani that sings in the bass later in the choir room is touched with moments recalling the '68 ...
were indescribable sensations, comparable only to the requiem of November 25, 2005 when entering the stage we saw a crowded theater and get a standing ovation to devote a quarter of an hour ... with all the work we had done to organize it ...
really a morning of tears in my eyes ...
Thanks to those who gave to the idea, who has developed, who participated, thanks to all
hope to all those who were not there this morning to be able to organize and enjoy a day like in your cities and to be able to live out an all together ..
SI RICOMINCIAAAAA
Tuesday, October 7, 2008
Knot In Groin After Heart Cath
what the minister does not know
The minister said that Bondi workers foundations lyrical-symphonic enjoy undue privileges without ensuring adequate productivity.
I already knew to be a working prime minister has no mica Bondi wanted to tell me. I am privileged because I love my job, because I do a job I enjoy, it gives me joy, because work makes me happy, because what I produce is art and I'm proud. Are privileged because they do work with my joy to others, to the public who comes to see the shows, people who love culture and beautiful things, and who pays for a ticket to attend a work or a concert. Pay the ticket because they know what they are seeing has a value.
Mind you, not that I woke up one morning and I thought, but yes, I will keep the singer, so that it takes, all are capable, but that the minister does not know. I started to study music in fifth grade, eh: while my companions were playing in the yard I was there with the violin to try to come up with decent sound. A free choice, to charity. I studied music since I was in elementary school and perhaps I have acquired a degree of specialization (in fact, I even say that I have developed areas of the brain will not develop in non-musicians, just to say how it would affect a person study of music). It 's a privilege that this specialization is paid? They pay me to do my job, this is a great privilege, indeed. I agree on one thing: productivity. There we always complain we want to do more concerts, more works, we want to enjoy ourselves more. Unfortunately, those seasons in recent years the program has not been able to produce us. But this minister seems not to know. He believes that the fault is ours.
Minister Bondi said that work 16 hours per week, which is always at home in compensatory rest, I have a second job and I pay up to 17 months. These are things that I do not know. Now I go straight from the chief of staff to ask where ended the month more that I never received, because we see that if someone is pocketed without my knowledge. With regard to working hours, not 16, the minister does not know that those who choose to do this profession must constantly practice to maintain and continuously improve the artistic level propio, a singer and never puts away the instrument, as someone said . A musician does not "do" the musician "is" a musician.
Bondi also said that foundations lyrical symphonic spend 70% of their budget on salaries. Now just go to see the budget the Teatro Regio in Turin to see that the cost of production amounts to € 49,258,658 and the cost of salaries and wages to € 16.087587 and then realize that perhaps one of the things that the ministry can not do is the math.
The journalist who interviewed him asked him if he does not think that 14 foundations are too many lyrical-symphonic and he replied that the Scala Santa Cecilia and have a special role and visibility. Or the journalist has cut half of the answer or the Minister has trouble understanding the questions that are asked. And yes that is a minister and who knows what they pay him! However, you'd think that the answer is: yes, there are too many, only the Scala Santa Cecilia and deserve to be saved, or something like that. Then I would ask the minister why the theaters are always sold out and many viewers complain that finding a business is a firm impossible, if the foundations are too many compared to the request of culture that is in Italy? And if 14 foundations are too many lyrical-symphonic, we want to talk about the number of ministries that are there? But I say, you really need a minister for youth (Meloni)? And that to simplify the rules (Calderoli)? And a minister placed in charge of relations with parliament (Vito)? There's even one in charge of implementing the government program (Round)! But at this point the minister could tell me: what have ministries with foundations unnecessary opera-symphony, and I should agree with him that, in fact, have nothing to do, but there was talk of waste and it occurred to me mind. Then to be relevant minister to say that he perhaps does not know that the work was born in Italy in 1500, and 14 foundations opera-symphony in Italy are perhaps few Persin.
One thing that the minister obviously does not know is that foundations are a resource opera-symphony, a wealth. It would be like asking someone who is 14 Ferrari in the garage if he does not believe that is too much and whether it would be appropriate to make a dozen wrecks. Mica in exchange for something, eh, the only way to save space. Of course if one of the Ferrari and then uses them as if they were 500 also has reason to complain that they cost too much. Only it is not the fault of the machines, but those who do not know how to drive.
There is one thing but the minister knows that and is if you make statements to newspapers to publish even if they are false, and even if people believe they are false and so who cares losers of four of those musicians who are going to thicken the ranks of the unemployed. To think of culture we must first have fulfilled the basic needs, music mica eat. But to go to the satisfaction of needs should be secondary in a civilized country. And the minister knows, we're in Italy.
floriatosca 
The minister said that Bondi workers foundations lyrical-symphonic enjoy undue privileges without ensuring adequate productivity.
I already knew to be a working prime minister has no mica Bondi wanted to tell me. I am privileged because I love my job, because I do a job I enjoy, it gives me joy, because work makes me happy, because what I produce is art and I'm proud. Are privileged because they do work with my joy to others, to the public who comes to see the shows, people who love culture and beautiful things, and who pays for a ticket to attend a work or a concert. Pay the ticket because they know what they are seeing has a value.
Mind you, not that I woke up one morning and I thought, but yes, I will keep the singer, so that it takes, all are capable, but that the minister does not know. I started to study music in fifth grade, eh: while my companions were playing in the yard I was there with the violin to try to come up with decent sound. A free choice, to charity. I studied music since I was in elementary school and perhaps I have acquired a degree of specialization (in fact, I even say that I have developed areas of the brain will not develop in non-musicians, just to say how it would affect a person study of music). It 's a privilege that this specialization is paid? They pay me to do my job, this is a great privilege, indeed. I agree on one thing: productivity. There we always complain we want to do more concerts, more works, we want to enjoy ourselves more. Unfortunately, those seasons in recent years the program has not been able to produce us. But this minister seems not to know. He believes that the fault is ours.
Minister Bondi said that work 16 hours per week, which is always at home in compensatory rest, I have a second job and I pay up to 17 months. These are things that I do not know. Now I go straight from the chief of staff to ask where ended the month more that I never received, because we see that if someone is pocketed without my knowledge. With regard to working hours, not 16, the minister does not know that those who choose to do this profession must constantly practice to maintain and continuously improve the artistic level propio, a singer and never puts away the instrument, as someone said . A musician does not "do" the musician "is" a musician.
Bondi also said that foundations lyrical symphonic spend 70% of their budget on salaries. Now just go to see the budget the Teatro Regio in Turin to see that the cost of production amounts to € 49,258,658 and the cost of salaries and wages to € 16.087587 and then realize that perhaps one of the things that the ministry can not do is the math.
The journalist who interviewed him asked him if he does not think that 14 foundations are too many lyrical-symphonic and he replied that the Scala Santa Cecilia and have a special role and visibility. Or the journalist has cut half of the answer or the Minister has trouble understanding the questions that are asked. And yes that is a minister and who knows what they pay him! However, you'd think that the answer is: yes, there are too many, only the Scala Santa Cecilia and deserve to be saved, or something like that. Then I would ask the minister why the theaters are always sold out and many viewers complain that finding a business is a firm impossible, if the foundations are too many compared to the request of culture that is in Italy? And if 14 foundations are too many lyrical-symphonic, we want to talk about the number of ministries that are there? But I say, you really need a minister for youth (Meloni)? And that to simplify the rules (Calderoli)? And a minister placed in charge of relations with parliament (Vito)? There's even one in charge of implementing the government program (Round)! But at this point the minister could tell me: what have ministries with foundations unnecessary opera-symphony, and I should agree with him that, in fact, have nothing to do, but there was talk of waste and it occurred to me mind. Then to be relevant minister to say that he perhaps does not know that the work was born in Italy in 1500, and 14 foundations opera-symphony in Italy are perhaps few Persin.
One thing that the minister obviously does not know is that foundations are a resource opera-symphony, a wealth. It would be like asking someone who is 14 Ferrari in the garage if he does not believe that is too much and whether it would be appropriate to make a dozen wrecks. Mica in exchange for something, eh, the only way to save space. Of course if one of the Ferrari and then uses them as if they were 500 also has reason to complain that they cost too much. Only it is not the fault of the machines, but those who do not know how to drive.
There is one thing but the minister knows that and is if you make statements to newspapers to publish even if they are false, and even if people believe they are false and so who cares losers of four of those musicians who are going to thicken the ranks of the unemployed. To think of culture we must first have fulfilled the basic needs, music mica eat. But to go to the satisfaction of needs should be secondary in a civilized country. And the minister knows, we're in Italy.
floriatosca
Sunday, September 28, 2008
Erotic French Films Blog
mala tempora
Three years ago we were doing it these days hunger strike because the center-right government believed that cutting the funds to show they could revive the fortunes of the nation. But Only a few months to the elections and hoped that we could at least change the government and that culture came back to have a fundamental importance for our country, the importance was losing without a doubt. Fortunately, the center-left won the election that gave back a bit 'of funds to the show: at least we guarantee its survival. Today we find ourselves in the same situation three years ago, only it's worse: the cuts that have decided to make provisions for the show will bring the opera to the closure of our country. In the words of our Superintendent of the Press on September 27 cut of 30% would bankrupt any company. And this time there is nothing that we can never hope to do. Another strike hunger? Others chained to the gates of the theaters? Other requiem for culture with a lot of coffin and funeral? Elections are not a few months. The elections will be in four years. And four years you can not resist.
floriatosca
Three years ago we were doing it these days hunger strike because the center-right government believed that cutting the funds to show they could revive the fortunes of the nation. But Only a few months to the elections and hoped that we could at least change the government and that culture came back to have a fundamental importance for our country, the importance was losing without a doubt. Fortunately, the center-left won the election that gave back a bit 'of funds to the show: at least we guarantee its survival. Today we find ourselves in the same situation three years ago, only it's worse: the cuts that have decided to make provisions for the show will bring the opera to the closure of our country. In the words of our Superintendent of the Press on September 27 cut of 30% would bankrupt any company. And this time there is nothing that we can never hope to do. Another strike hunger? Others chained to the gates of the theaters? Other requiem for culture with a lot of coffin and funeral? Elections are not a few months. The elections will be in four years. And four years you can not resist.
floriatosca
Sunday, February 3, 2008
Why My Feet Swollen When I Have Hives
Totally different music. One Year!
someone you love, someone has found a job
,
fell in love with someone and found a job together!,
someone gets married, someone
graduated, someone makes the commissioner
, someone
administrator ...
someone in South America and someone else ...
for a change
seize cocks around half of Europe !!!!!
,
fell in love with someone and found a job together!,
someone gets married, someone
graduated, someone makes the commissioner
, someone
administrator ...
someone in South America and someone else ...
for a change
seize cocks around half of Europe !!!!!
Saturday, February 9, 20:00
Todo Modo
via Andreoli
Bovisa (milan)
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