The minister said that Bondi workers foundations lyrical-symphonic enjoy undue privileges without ensuring adequate productivity.
I already knew to be a working prime minister has no mica Bondi wanted to tell me. I am privileged because I love my job, because I do a job I enjoy, it gives me joy, because work makes me happy, because what I produce is art and I'm proud. Are privileged because they do work with my joy to others, to the public who comes to see the shows, people who love culture and beautiful things, and who pays for a ticket to attend a work or a concert. Pay the ticket because they know what they are seeing has a value.
Mind you, not that I woke up one morning and I thought, but yes, I will keep the singer, so that it takes, all are capable, but that the minister does not know. I started to study music in fifth grade, eh: while my companions were playing in the yard I was there with the violin to try to come up with decent sound. A free choice, to charity. I studied music since I was in elementary school and perhaps I have acquired a degree of specialization (in fact, I even say that I have developed areas of the brain will not develop in non-musicians, just to say how it would affect a person study of music). It 's a privilege that this specialization is paid? They pay me to do my job, this is a great privilege, indeed. I agree on one thing: productivity. There we always complain we want to do more concerts, more works, we want to enjoy ourselves more. Unfortunately, those seasons in recent years the program has not been able to produce us. But this minister seems not to know. He believes that the fault is ours.
Minister Bondi said that work 16 hours per week, which is always at home in compensatory rest, I have a second job and I pay up to 17 months. These are things that I do not know. Now I go straight from the chief of staff to ask where ended the month more that I never received, because we see that if someone is pocketed without my knowledge. With regard to working hours, not 16, the minister does not know that those who choose to do this profession must constantly practice to maintain and continuously improve the artistic level propio, a singer and never puts away the instrument, as someone said . A musician does not "do" the musician "is" a musician.
Bondi also said that foundations lyrical symphonic spend 70% of their budget on salaries. Now just go to see the budget the Teatro Regio in Turin to see that the cost of production amounts to € 49,258,658 and the cost of salaries and wages to € 16.087587 and then realize that perhaps one of the things that the ministry can not do is the math.
The journalist who interviewed him asked him if he does not think that 14 foundations are too many lyrical-symphonic and he replied that the Scala Santa Cecilia and have a special role and visibility. Or the journalist has cut half of the answer or the Minister has trouble understanding the questions that are asked. And yes that is a minister and who knows what they pay him! However, you'd think that the answer is: yes, there are too many, only the Scala Santa Cecilia and deserve to be saved, or something like that. Then I would ask the minister why the theaters are always sold out and many viewers complain that finding a business is a firm impossible, if the foundations are too many compared to the request of culture that is in Italy? And if 14 foundations are too many lyrical-symphonic, we want to talk about the number of ministries that are there? But I say, you really need a minister for youth (Meloni)? And that to simplify the rules (Calderoli)? And a minister placed in charge of relations with parliament (Vito)? There's even one in charge of implementing the government program (Round)! But at this point the minister could tell me: what have ministries with foundations unnecessary opera-symphony, and I should agree with him that, in fact, have nothing to do, but there was talk of waste and it occurred to me mind. Then to be relevant minister to say that he perhaps does not know that the work was born in Italy in 1500, and 14 foundations opera-symphony in Italy are perhaps few Persin.
One thing that the minister obviously does not know is that foundations are a resource opera-symphony, a wealth. It would be like asking someone who is 14 Ferrari in the garage if he does not believe that is too much and whether it would be appropriate to make a dozen wrecks. Mica in exchange for something, eh, the only way to save space. Of course if one of the Ferrari and then uses them as if they were 500 also has reason to complain that they cost too much. Only it is not the fault of the machines, but those who do not know how to drive.
There is one thing but the minister knows that and is if you make statements to newspapers to publish even if they are false, and even if people believe they are false and so who cares losers of four of those musicians who are going to thicken the ranks of the unemployed. To think of culture we must first have fulfilled the basic needs, music mica eat. But to go to the satisfaction of needs should be secondary in a civilized country. And the minister knows, we're in Italy.
floriatosca
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