are voting against the defeat
Marco Beghelli
In Rome, in the past, shaking singers and musicians with each new papal election, and with them the many music lovers of Cardinals papal court: it was enough that Peter ascended the throne of a cardinal insensitive to the fascination of Euterpe, and in Rome there was a risk of seeing the theaters - places lascivious by definition - remain closed for years, with obvious consequences for employment of many artists. Never, as in the vicinity of these Italian elections, theaters and orchestras, performers and audience have time to hear their voices in a cry of pain that is not hateful to any current policy, but asks only for the recognition of music as one of the most precious cultural heritage of our country, and food to sustain the same museums and art galleries.
As in papal Rome, the fear is then that should be benches to sit on those people for whom the values \u200b\u200bof culture do not have the proper weight balance on the state of the economy, or even worse, for which culture is by no means a value to be protected. It would be the final defeat, and music in particular. Yes, because if - the complicity of the school in which these gentlemen were formed - a Dante or a leopard, however, continue to maintain a certain aura of sacredness of public protection with a stamp commemorating the centennial or a conference, music - guilty of the same school that has totally failed in this field its educational role - would be relegated to the street Final part of the fun activities and entertainment (an area that even though the matter in part) by denying the status of a cultural product of artistic creation to promote and preserve. Of course, faced with the many and serious problems affecting the country at the time, the music seems really a question elitist, except that behind the delight of the audience is there - as in eighteenth-century Rome - The problem of employment of many professionals, not to mention young people left without hope by our conservatives. What
remember then, the newly elected members, even the music. For its part, the music has occupied at least once of old and expensive elections in that song always witty Giorgio Gaber in which he described the approach as a kind of ballot question set in a surreal feeling of warmth spread "One sunny Sunday, [Boldface mine]
In Rome, in the past, shaking singers and musicians with each new papal election, and with them the many music lovers of Cardinals papal court: it was enough that Peter ascended the throne of a cardinal insensitive to the fascination of Euterpe, and in Rome there was a risk of seeing the theaters - places lascivious by definition - remain closed for years, with obvious consequences for employment of many artists. Never, as in the vicinity of these Italian elections, theaters and orchestras, performers and audience have time to hear their voices in a cry of pain that is not hateful to any current policy, but asks only for the recognition of music as one of the most precious cultural heritage of our country, and food to sustain the same museums and art galleries.
As in papal Rome, the fear is then that should be benches to sit on those people for whom the values \u200b\u200bof culture do not have the proper weight balance on the state of the economy, or even worse, for which culture is by no means a value to be protected. It would be the final defeat, and music in particular. Yes, because if - the complicity of the school in which these gentlemen were formed - a Dante or a leopard, however, continue to maintain a certain aura of sacredness of public protection with a stamp commemorating the centennial or a conference, music - guilty of the same school that has totally failed in this field its educational role - would be relegated to the street Final part of the fun activities and entertainment (an area that even though the matter in part) by denying the status of a cultural product of artistic creation to promote and preserve. Of course, faced with the many and serious problems affecting the country at the time, the music seems really a question elitist, except that behind the delight of the audience is there - as in eighteenth-century Rome - The problem of employment of many professionals, not to mention young people left without hope by our conservatives. What
remember then, the newly elected members, even the music. For its part, the music has occupied at least once of old and expensive elections in that song always witty Giorgio Gaber in which he described the approach as a kind of ballot question set in a surreal feeling of warmth spread "One sunny Sunday, [Boldface mine]
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